:Episode One Hundred Ninety-Three: 6.26.2020
| Artist | Title | Album |
|---|---|---|
| Par Ásito | Relativistic Jets | Relativistic Jets (Single) |
| Maya Mountains | Raul | Era |
| Marmalade Knives | Rivuleting | Amnesia |
| Brigid Dawson & The Mothers Network | Ballet of Apes | Ballet of Apes |
| Bananagun -People Talk Too Much | People Talk Too Much (Single) | |
| Maitreya Kali | Color Fantasy | Apache/Inca |
| Vague Imaginaires | Mais Qu'est-ce Que | L'Île Sous l'Eau |
| Biosphere | Warmed by the Drift | Dropsounde |
| Pye Corner Audio | Phase B | Where Things Are Hollow 2 |
| Zé Manel & 2M G-B | Bardade Dentro De Bardade | Tustumunhos Di Aonti... |
| Sam Gendel & Sam Wilkes | IRISH | Music For Saxofone & Bass Guitar |
| Christina Vantzou | Music For a Room With Vaulted Ceiling | V/A: Field Works: Ultrasonic |
| John Also Bennett | Indiana Blindfold | V/A: Field Works: Ultrasonic |
| Noveller | A Place Both Wonderful and Strange | V/A: Field Works: Ultrasonic |
| Pole | Lachen | 1 |
| Couronne de Merde | اتمنى لو ان الریاح تجلي الرماد | ﺃﺧﻔﻀﻲ ﺭﺃﺳﻚ |
| Tengger | Flow | Nomad |
Open playlist in Spotify
* Not on Spotify:
Nothing this week. Sometimes, they really do have it all.
Description
The show starts with a motorik synth-blast by Mexico's Par Ásito, followed by another band (a la Hibiscus Biscuit) with a ridiculously twee name - Marmalade Knives - making 70s-ish psych-prog, the Annette Peacock-inspired, jazzy art-rock of Brigid Dawson and The Mothers Network, and the frenetic afrobeat of Australia's Bananagun. Then, later on in the show, we get three tracks from a compilation released by National Geographic (who actually have put out music, off and on, since the early 70s) consisting of field recordings of bats (specifically of the sound waves they generate for purposes of echolocation) manipulated by all your favorite young avant-garde composers, including Christina Vantzou, John Also Bennett, and Noveller.