psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present

:Episode One Hundred Ninety-One: 6.12.2020

Artist Title Album
ZiorEvery Inch a ManEvery Inch a Man
Loose SuturesShoot It DownLoose Sutures
GoatridersGolemThe Magician's Keep
UndergrünnenNå E Me HerEin Revnande Likegyldighet
Linda GuilalaChicas Guapas (Que Van a Trabajar En Moto)Espacio De Tiempo
Andrew TuttleCambridge Drive Shopping CentreAlexandra
Grand VeymontPersistance & Changement (excerpt)Persistance & Changement
NihiloxicaBusogaKaloli
Astral TravelTomorrow's DestinyIf You Say You Are From This Planet, Why Do You Treat It Like You Do?
Nightports & BetamaxHydroHydro (Single)
MatthewdavidLo-fi Bliss MusicExperimental Bliss
Ytamo心音は蹄のように Heart Beat, Clatter Of HoofsVacant
Kate NVTea (Full Cup Version)Room For The Moon
Listen Now!

Open playlist in Spotify

* Not on Spotify:
Nothing this week. Sometimes, they really do have it all.

Description

Among the highlights of the obligatory, opening rock and/or roll set (you'll have to pry rock from my cold, dead stereo - I'm like Bruce McCulloch in this, one of my all-time favorite KITH sketches) are Norway's Undergrünnen, with a psychedelic, Scandinavian take on afrobeat, and Mexico's Linda Guilala, with some saccharine-sweet shoegaze. A little later, we hear an excerpt from a 40-minute-long EP by Grand Veymont, which, if you can get past the fact that it sounds EXACTLY like early Stereolab, is actually some pretty great Harmonia-ish neo-Krautrock. Also appearing are Uganda's Nihiloxica, a band comprised of four percussionists and two synth players, which I guess makes them bleepy-bloopy...bangy?