psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present
psychedelic and avant-garde music from the 1960s to the present

:Episode One-Hundred Seven: 06.01.2018

Artist Title Album
Acid Mothers Temple & The Melting Paraiso U.F.O.In OIn O To ∞
Burnt HillsRise Above, Pt. IRise Above
Colour HazeArboresIn Her Garden
Penguin Cafe OrchestraThe Snake and The Lotus (The Pond)Signs of Life
The LumeriansXuluXTransmalinnia
The Sight BelowAt First TouchGlider
Unknown Mortal OrchestraExtreme Wealth and Casual CrueltyMulti-Love
PoolsideWithout YouPacific Standard Time
GrailsThe Moth & The FlameChalice Hymnal
CircleVirsiTriumph
Barn Owl and The Infinite Strings EnsembleLevitationThe Headlands
Expo 70Cognac SmokeNight Flights
Master Musicians of BukkakeTurning to Face The Setting SunThe Visible Sign of the Invisible Order
Listen at House of Sound

 

Description

[Note: due to technical problems at House of Sound, there are a few noticeable gaps in the audio of this week's show]

After a two-song opening set, featuring a track from "In O To ∞", Acid Mothers Temple's follow-up to their version of Terry Riley's In C, and a feedback drenched blowout from Burnt Hills, I welcome my brother back to the show, to introduce an individually curated set of his own favorite spacey music.

This guest set includes Earthless-esque German power trio Colour Haze, Penguin Cafe Orchestra, known primarily for that one song that's been in every other tech commercial since the 90s, Bay Area organ-heavy retro-rockers The Lumerians, The Sight Below, Unknown Mortal Orchestra, the ambient pop sounds of Poolside, and Portland's own psych-sludgesters Grails.

I then end the show with a quartet of Space Program mainstays: Circle, Barn Owl (accompanied by The Infinite Strings Ensemble), Expo 70, and Master Musicians of Bukkake (with a vinyl-only bonus track from the reissue of their first album, "The Visible Sign of The Invisible Order").